The short nation has its own family comedy.
On October 26th, the 18-year-old grandma arrived and reunified the family honor 3 (hereinafter: the 18-year-old grandma 3) came online in the red fruit. By the time the show went online, the number of appointments had reached 8 million+, the next day of the show, with an unprecedented drop of 200 million in the heat of the red fruit, the top of the red fruit heat show, the new playlist and the hot search list. And the 18-year-old Granny 4 has a one-day reservation of over 1 million, and it’s hot.
For the first two phenomena, for the production of the third, for the team, it can be said that the pressure is high.
Unlike the one-line or two-line narratives that are common in short plays, Grandmother 18 is part of the narrative and the drama is concentrated in one family. In the genie, there is a young, inner-intensity encounter, as well as a young, inner-lovable man, Young-Boo, and the five grandchildren of the kia are also very good. In this family, there are a lot of family fun, and the family will face all the difficulties together, with one story after another.
The team has worked hard on innovation, and it has become more solid in the storylines, making it impossible to guess what’s going to happen, and the process of watching plays has been one of laughter, and one of tears has been accidentally poking.
The comedy is the surface, the warmth is the background.
After the warmth of the first two, Grandmother 3, age 18, described the family’s “future encounter” as a family unit. In this family, there are “infrequent guests”, there are “comforts”, there are emotional differences and there are betrayals… In this family, they always come together, and there are so many interesting and wonderful stories, and the smile brings back warmth.
In real life, it is impossible to be with a child after a rebirth. In this show, the children are brought back to their young age and are told to cherish the opportunities of those around them, whether they are mothers or children, for a limited period of time.
The scene saw Gi Soon Ying fall in love and told him, “When Mom left, you missed a lot of people, and this time you came back to see you fall in love, although I know you must be in a bad mood right now, but I’m really happy to see you so alive and through all this life.”
And Gi Soon-young, who was old and faced his mother, worried that the mother’s love that he had just felt would disappear, said to her, “If you scared me, I wouldn’t live, and I thought I’d lost you twice.”
The two dialogues are a full expression of the deep-rooted mother-child relationship between the two. Gi Soonying had lost her mother once, and in the face of her re-emergence, he was more afraid that the mother would leave herself again and again. And she is happy to be able to re-accompanie her child.
At the scene of the 18-year-old Granny 3, the performer of Inbao just told the audience, “At my age, without my parents, I really know that having a mother is a treasure, and I hope that you will cherish your love and respect your parents and not leave any regrets.”
The original author of the play, U Yingxia, was also very moved by the show, “looks at the way Yingbao was sent to school, and looks at the way that the old son who was in love with Yingbao was in a low mood… These routines, like the adolescence many have experienced, are due to the creation of an eight-year-old son, with an additional level of sour tenderness. Even at the age of eight, even the time has turned their identities upside down, and in the eyes of his mother, he will always be the child who needs to be treated with pain.”
As the original novel says: “The most resilient in the world is not steel, but affection that crosses life and death through time and time.”
And when the viewers’ assessments are so high, they are all the more proof of the true and moving nature of this sentiment.
“Whether it’s in the play or in the face, or in the reality of our relations with our elders, it’s always the same. It’s hidden in small pieces, in hot soup, in unseemly day-to-day, but at some point it can be our courage to confront all the difficulties.” U Yingxia says.
Unlocking the short play family’s new narrative: crowds, scene comedy
The family atmosphere of the Qi family, with its many details, was the greatest highlight of the show and the key to the success of the 18-year-old Granny 3 family comedy attempt.
Gi Soon-young met a popular “girl” at school, and when she was almost 70 years old, she saw a woman who could call her grandmother and said, “This little girl looks familiar”, in which the aversion reinforced the funny element.
With the support of the family, this sunset never ended. Facing Ki Soon-young’s emotions, such as Yan, chooses to leave and to seek his own life and live for himself. At this point in time, the play emphasizes, in a more euphemistic manner, the female master, whose life is not all about love, but, above all, his own.
It’s like Ki Soon-young’s role. He’s cute and serious. In front of the outsiders, Gi Soon-young was the head of the big family family, and when Zhang Li-Li, who was pregnant, came to the house, Gi Soon-young thought that he was carrying the children of the family and gave each other a black card. When Zhang Li Li’s actions were found to have been mischievous, Zhang Li Li’s black card was seized and showed courage as head of the family.
He was kind to his mother when she met him. It is not a piety but a worship and admiration from within. He is the best person in the profession, who has achieved results in scientific research, medicine, etc. Faced with such a wonderful mother, he was truly respectful.
When you meet someone you love, Gi Soon-young is shy, even when he is old, and worried if he likes himself.
The role is vividly shaped by a multi-dimensional sense of contrast.
High-school high-schoolers are impulsive, impulsive, but impudent and simple. He is not as stable as his brothers, but as the youngest child in the family, he is also accommodated and, as a result, he does a lot of pranks at home. And when the pranks were discovered, the family was just joking criticism and never cared.
There’s no role in the play — it’s also a schoolhouse, it’s a science genius, it’s an emotional prodigy, it’s a rational, it’s a gentle, it’s a faithful believer; it’s also a comedy, it’s a “return to old age” and it’s a young man’s jump. This differentiation makes each actor independent and complementary.
For example, in old amnesia dramas, Kiyoshi is responsible for contacting drivers, arranging rooms and investigating the truth; Kiegawa is responsible for analysing suspicions by observing Zhang Li-Li’s face and discovering that the older IQ has not been damaged; and as a scholar-type profession, Kiyoshi is inherently talented and bottom-lined. He’s got a lot on his plate, he’s got a lot on his face, he’s got a lot on his head, he’s got a “no-use, no-good, no-good, no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no.
In the genie, everyone has their own character and can see the genetics of their loved ones. At home, the old Sanquictuary inherited the virtues of academic rigour, and even though he was a little enthusiast in his life, he was unsatisfied with academic issues and endured lonely research and studies. The children of Qi family are good people, have their own bottom lines in the world, protect the weak and face the evils of their families.
From ” Home and Home ” to ” Grandma ” series, listening to a short play from Flower Island can impress the audience not only by the story of a single person, but also by the story of a family. It is in such a group of families that the family is a large family that the audience wants to look at.
I’m sorry.Family flow* Rewriting the short play IP format
As the third short play in the series of IPs, Grandmother 18, its success has exceeded the value of a single play.
Looking back at the short play industry, there are few short plays that can be filmed in the third series and still keep the audience fresh. The 18-year-old Granny 3 reached 8 million + an appointment from the appointment stage, and when it came online, the heat of the red fruit hit 20,000 +, clearly the correct attempt on the third.
In June of this year, the 18-year-old Grandma first came online and attracted a lot of non-short play people into the pit.
“Easy funny. The master came to Gi’s house, and her grandkids screamed, and his grandfather slapped him in the head. A strong woman, integrity of personality, patriotism, respect for fairness, and design. It’s true that an old man’s mother was so repulsive that he was crying when he first met him, and when he was gone, who didn’t want to look at the most vulnerable and protect his mother?”
The mother-child relationship, the family story, the comedy atmosphere, and the Grandmas series have been ploughing in these three directions, making it a family-like comedy.
Many of the viewers left messages after reading the play, saying, “The scene is funny and the background is particularly warm. It’s a warm assumption: if your mother comes back when you’re 78, you’re back with a mother and you can continue to be a baby in front of her…”
The original author of the novel, U Yingxia, was also satisfied with the post-show: “This short play is a surprise, a surprise to the audience, a surprise to the author of the novel, and a adaptation of the original novel, sort of like a new window in the story I built, and every episode can see an unexpected move.”
Good story, not from the heart of friendship. At the scene of the troupe, Li Koe-Yi and Kwok-Kwok talked about the fun of the scene, and the team became a family, and the harmony prevailed.
Today, the success of the 18-year-old Grandma IP has also brought a new phase to the fine show. When the audience wants to look forward to a good story, it also means that the short play has a longer life and goes further towards cultural attributes.
Since the beginning of the year, the overall short play has been moving towards a living, real sense of truth. The 18-year-old Grandmas series met this demand and showed the audience how happy it is to have a mother-in-law and how valuable it is to have a family laugh. And Grandma 4’s million-dollar appointment is the market’s most sincere response to good stories.