“I suggest you finish four, finish five, think six, prepare seven.”
Against the background of “sequenceization” becoming a rare demand in the film industry, the field of dilatory short plays is searching for prospects and building confidence.
By the end of the third season of the 18-year-old Grandmother’s arrival and family glory, she had made 8 million appointments on the red fruit platform, and at zero points she had been held by the Night Cats as a group. The heat is now over 200 million, standing on the top of the list and winning the crown of history.
So, it is almost inevitable that the “psychical shareholders” issue a “moment.” As a bystander, two “special messages” were found in the context of Grandma becoming a social currency.
The audience wrote a letter to the founders.“This is a virtual world for Grandma, and I believe it exists. Because, believing in love is the answer to everything.”;The original author, U Young-sha, said, “It’s kind of like opening a new window in the story I built.” I’m most impressed by the fact that I’m against Yingbao’s adolescence scene.”
The softening back, yes.The stand-up short play is leaving “a hammer for sale” to accompany the audience during the fragmentation period, leaving valuable coordinates for serialization exploration, life flow narratives, and emotional thickness.
Serialized exploration
The following, in Grandmother 3 of the 18 years old, took place after a series of events, such as the stupidity of Old Man, the loss of love and the death of Tangqing, and ended with the thought of meeting her husband, Gissy’s “rebirth” year, leaving a new season hook.
It’s more laughter than in the last two seasons.
The opening of the book, “The Seven-Year-old Humpty Humpty Run into the University City”, smiles, while the white-haired rules of the book packs the disease and the need to escape from school; while the mother and a bunch of grandchildren say “nightly love”; and the precise point of “reversely looking after the elders” in the current youth is even more reminiscent of the reality that “olders should go to work and young people should go to the nursing home.”
From the perspective of a face-to-face, the son’s “run school” and the grandkids are all the more alive — the stupid old man’s acupuncture is like a “savage potion” — a few needles are sobering up, and the brother’s bad childhood work is cuddled. It’s the worst thing ever, the wind of “The upper half, the lower half, the lower part, the lower part, the more famous the cactus.
In addition, there are honours such as “F4 ” of the University of the Elderly, “A Good Milk” and other places of worship, far or near, which break the barriers to audiences and enable viewers of all ages to find familiar memories and lay the foundations of a social currency for all.
It is also important to mention that Grandmother 18 was also inspired in the use of music: the melody of playing the role of Dragonball, which led to the picture of the turtle fairy flying through the fog, and the sound of the old version of the computer turning off, with the short awake and “no electricity” images of the older three who were acupunctured, double the smile. At the same time, this season also has a theme song, ” Grandma’s Coming ” , which has attracted a lot of viewers and has extended the IP to the music industry.
The funny story of Grandmother 3, 18, inherited the whole series of comedy.From the beginning of the first season, the 18-year-old body, the 70-year-old soul, and the family’s “grandmothers” were the first to speak out, changing the scenes of the “sweet” “sweet” and “face-to-face” dramas, breaking the whole new set of routines, placing the core on family relationships and personal ideals, creating closer emotional links with the audience after the laugh.
It’s easy to find out if it’s the old powder from the first season.The 18-year-old Grandma 2 and 3 has also moved away from making content hooks in 10 episodes or a card before the single season in order to create viscerality against the expectations of the audience. Hanaya Island has consciously built a “Cosmos” for the 18-year-old grandma series that supports multi-season development, rather than a closed “room.”
It maintains the core style while developing new roles and storylines.In the second season, the “Fake Four” wave, the “Scrambling Back Dance” of the penis, led to new family members and the image of the person.
As the audience says, “The house of the sons and daughters-in-law of Yingbao is not here yet.” It follows the line of person-to-person relationships, and serialized development is without content.
The 18-year-old grandma’s “long-termism” series also explores the reprogramming of the stand-up short play IP plus the original two-pronged approach. As the original author U Yingxia has said, the difference with novels has been adapted so that every episode can see unexpected impulses.If you’ve got a good story, you’ve got a good face.It’s a flower, but it’s the one that keeps growing and stalking the audience.”“A series of universes.”I don’t know.
Life’s a story.
Although “Serialization” has become the first of its kind in a long-screened short play, and the 18-year-old Granny series is not the first in the world, it has to be acknowledged that from the first quarter of 1 billion plus to the second quarter of the season when it became the head of the fruit, the third quarter of the season is more than 3 billion, and within two days of being on the line, the flower island team can always find it with precision and speed.The difference in the 18-year-old Granny series — it’s not the usual style of a party hall — is more like a family comedy.
At the heart of the play was the presence of family K, which extended the CP to the group. The image of Ying Po and his “old and small” is inversely highly recognized, and he is from 1st to 5th grade.The audience really likes people and wants to know what they’re going through.
In this case, the gold content of the original horse is shown, and the audience recognizes the role and face.At the scene of the troupe, the main group gathered to bring the joyous atmosphere of the genie from the line and bring the audience close to each other. Moreover, when Grandma 2, 18 years old, the producer Weiss Rain mentioned that even one episode of Professor Yun, Dad and others insisted on first-class actors. The continuity of the performance became part of the adhesiveness of the audience and the ability to gather in the original class many times, as can be seen in the motivation and cohesion of the team, who worked hard to create good works.
The 18-year-old Grandma’s series was full of laughs, but it wasn’t, and it was because…They’re well-placed in the day-to-day family, and they’re warm comedy.When people watch a play, it’s like watching relatives and friends or their own lives, laughing and reminiscent of warm memories about themselves.
Audience Island has a relatively short production cycle, allowing for the timely capture of the quality of market feedback to be used for creative purposes and for aesthetic aesthetics for viewers.Innovation, based on the audience ‘ s preferences, keeps the drama resonated with the audience, rather than in blind circles, and allows life to really flow.
It’s not hard to find that you’re looking at the “Living Story” of Flower Island.The model that comes from life, is based on the person, finds long-line creative clues from the relationship of the person, is already in its infancy and is being applied with increasing sophistication.
Whether it’s a “psychotic” comedy or a “terrestrial” comedy, the emotional value it can give the audience is derived from a sense of familiarity or freshness in the fabric of life:For example, in the 18-year-old Granny 3-year-olds, who were threatened with a “swear to God” by a girl with a heart attack, hearing the vows and Young-Boo and the other brothers was an earthquake in the eyes of their pupils; in front of Tong Jiu’s grave, the old man began to “soldier the king” deep down, surprised that the other living treasures’ faces were not managed.
It’s like in the “Behind Home” series, which once used to be called “Dan-Ey” and “Dan-Ey” in Hong Kong. The day-to-day struggles are more of a dream about the years of “natures are worse than neighbors” and the small memories of “me-related.”
This creative wisdom, which integrates dramatic conflicts into the lives of ordinary people and tells reality stories in a real and honest way, gives short play a healing power beyond providing emotional value.
Increased emotional thickness
When it comes to life, it has to extend to the creative exploration of the flower island realism and even the melody. The 18-year-old Grandmas series, the Home and Home series, and I’m opening a supermarket on the long march fills a gap in short content types.The short play “Specificity” is written by the watch and inside, not only by fine, but also by affection.
It may be said that the short play is used to pass time, not to be emotional and deep.
This is not the case in practice, and today’s viewers are improving their ability to understand good content. If the 18-year-old Granny series were to repeat “Small-faced” “Scums” and “Build Houses”, well-known viewers would soon give up reposting on the water line. High-quality content that simultaneously meets the needs of the audience in terms of context, emotion and affection can only go a long way.
From 18-year-old Grandma 1# I’m not going anywhere #Single season closedI’m sorry.It’s going to last so many seasons.# I’m not going anywhere #Scenario comedy IPI’m sorry.The growth of this series is in fact a microcosm of the finetyping of the short opera industry: It proves that the short play does not have to be characterized by the love or revenge of the god of war, by living narratives, resonance of emotions, and is equally of long-term value.
Listening to the long-term exploration of the 18-year-old Tatmadaw series provides a very instructive path to the development of the vertical short play industry. As creators, the basic quality and stable output of content are guaranteed; the emotional stickiness and resonance between the work and the audience is increased. At the same time, it proved to the industry that the competition for the stand-off plays will eventually return to the essence of the content.
When Grandmother 18 is in the preparatory stage, the audience may expect more than just a new explosion, and the next festive day — after all, who doesn’t want to continue to be like Kibaki, eating a melon, and how much can these things do, and what they have heard and even experienced?