According to the financial statements published by the leading media giant, Aki, the company received $6.6 billion in the second quarter of 2025. Despite a 9 per cent decline in membership income and a 13 per cent decline in advertising income, significant progress has been made in overseas operations and AI-driven product innovation and IP-based consumer product strategies.
In the second quarter, the Achilles industry achieved a significant 35 per cent increase in overseas revenues and emphasized its leading position in total market share of television shows. The Accelerator CEO-EO-Nuu claims that the company has been in the lead in its long market share at the time of the show, and that the heat values of original creations, such as Life and Life, Qianxi and Snowbook, are above 10,000. In addition, he highlighted the enabling role of AI-driven innovative technologies for user interaction and digital asset production.
Overseas member income increased by 35 per cent over the same period, with an all-time high in daily subscriptions, with markets such as Brazil and Indonesia growing by over 80 per cent. As of June, the micro-short play had become the second-largest category of new subscriptions in the Acchia Overseas Focus Area, confirming the effectiveness of localized content and type diversification strategies. The original Chinese-language series, Qianxiang Qian, has a hot list of 15 overseas markets on its first day, showing the global appeal of the Chinese-language series. The attractiveness of internationalization is diversifying sources of income for the achives and strengthening their position in the global content market and reducing dependence on domestic growth.
AI technology has fully accelerated user interaction and digital asset production, supporting high-level script qualitative analysis and personalized user experience. The AI function, such as “interactive bomb screen”, “East Fantasy”, boosts the second quarter of AI advertising by 20 per cent more than traditional advertising. The rapid integration of AI technology has helped to shape the cost-control and differential experience, enabling firms to scale content exports and improve liquidity in the competitive digital entertainment market.
Jinwoo stated that AI had significantly reduced the cost and cycle of short play production, and that it had increased the efficiency of digital content generation by more than 10 times at The Great King’s Panic 2. In the pre-production stage of the love drama, AI helped to analyse the script and conduct in-depth assessments of key roles, theatre relationships and interactions. In addition, AI can help to extract and remove redundancies.
It is worth mentioning that, thanks to the large volume of content under the flag, Achilles has been transformed from authorized to self-employed in the area of IP consumer goods. In the first half of 2025, the Achilles owns a real-life video card deal totalling over $100 million and operates more than 50 submersible immersion centres in about 30 cities. As of the second quarter of 2025, preparations were under way for the Achilles in the canton of Jan and the opening of a new light-assured Achilles.
In the future, the Achilles will continue to invest in AI technology, expand the production capacity of microtramas abroad, launch new IP-based consumer product lines, and increase the supply of content from domestic and foreign markets, while emphasizing that the debt structure will be further optimized, with existing liquidity sufficient to meet maturities and support strategic initiatives.